All Hail The Power of Jesus Name Lyrics
by Edward Perronet, English Hymn Writer, 1726–1792
Tune Name: CORONATION
Composer: Oliver Holden
Meter: CM (8.6.8.6)
Hymnbook Source: 18th-century American hymnals
1 All hail the power of Jesus' name!
Let angels prostrate fall.
Bring forth the royal diadem,
and crown him Lord of all.
Bring forth the royal diadem,
and crown him Lord of all!
2 O seed of Israel's chosen race
now ransomed from the fall,
hail him who saves you by his grace,
and crown him Lord of all.
Hail him who saves you by his grace,
and crown him Lord of all!
3 Let every tongue and every tribe
responsive to his call,
to him all majesty ascribe,
and crown him Lord of all.
To him all majesty ascribe
,
and crown him Lord of all!
4 Oh, that with all the sacred throng
we at his feet may fall!
We'll join the everlasting song
and crown him Lord of all.
We'll join the everlasting song
and crown him Lord of all.
Hymn Information
| Category | Details |
|---|---|
| Title | All Hail The Power of Jesus' Name |
| Author / Lyricist | Edward Perronet (1726–1792) |
| Composer / Tune | Oliver Holden (1765–1844) / “Coronation” |
| Date Written / Published | 1779 |
| Historical Context | Written in England as a hymn celebrating Christ’s authority and kingship. |
| Theme / Message | Praise and recognition of Christ’s sovereignty. |
| Notable Features | Regal, triumphant melody; suitable for congregational singing. |
| Cultural / Religious Impact | Known as the “National Anthem of Christianity”; included in virtually all Protestant hymnals. |
| Source / Scholarship | A Survey of English Hymns – Kenneth W. Osbeck |
Biblical Scholar Analysis on This Hymn:
| Scholar | View / Interpretation |
|---|---|
| Edward Perronet, English Hymn Writer, 1726–1792 | Perronet composed the hymn to emphasize the universal authority of Christ. He underscores that submission to Jesus is central to Christian worship. |
| John Julian, Author, A Dictionary of Hymnology, 1829–1913 | Julian observes its enduring inclusion in hymnals. He highlights the hymn’s capacity to inspire both devotion and reverence. |
| Charles Wesley, Anglican Hymn Writer, 1707–1788 | Wesley frequently celebrated Christ’s supremacy in his writings. This hymn mirrors Wesley’s focus on adoration and exaltation. |
| John Newton, Anglican Clergyman & Hymn Writer, 1725–1807 | Newton stresses the hymn’s doctrinal clarity regarding Christ’s kingship. He notes its effectiveness in guiding congregational worship. |
| Folliott S. Pierpoint, Anglican Hymn Writer, 1835–1917 | Pierpoint praises the hymn’s lyrical strength and accessibility. He emphasizes how it encourages active participation in worship. |
| William Rees (Hyfrydol), Welsh Hymn Writer, 1803–1883 | Rees remarks on the majestic tone of the hymn. He observes its ability to uplift and engage worshippers. |
| Philip P. Bliss, American Composer & Evangelist, 1838–1876 | Bliss valued its motivational power in revival contexts. He highlights its melodic memorability and doctrinal focus. |
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