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Go Tell It On The Mountain Lyrics - Accurate Text

Go Tell It On The Mountain Lyrics - Accurate Text

Apostle Quinson Thomas Apostle Quinson Thomas

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Go Tell It on the Mountain

  • Tune Name: GO TELL IT
  • Composer: African American Spiritual (traditional)
  • Lyricist: African American Spiritual (traditional); collected and arranged by John Wesley Work Jr.
  • Meter: 7.7.7.7. with refrain (irregular)
  • Hymnbook Source: Folk Songs of the American Negro by John Wesley Work Jr. (1907).

Go Tell It On The Mountain Lyrics

Refrain:
Go, tell it on the mountain,
Over the hills and everywhere.
Go, tell it on the mountain
That Jesus Christ is born.

Verse 1: 

While shepherds kept their watching
O'er silent flocks by night,
Behold thru-out the heavens
There shone a holy light.

Go, tell it on the mountain,
Over the hills and everywhere.
Go, tell it on the mountain
That Jesus Christ is born.

Verse 2:

 The shepherds feared and trembled
When lo! above the earth
Rang out the angel chorus
That hailed our Savior's birth.

Go, tell it on the mountain,
Over the hills and everywhere.
Go, tell it on the mountain
That Jesus Christ is born.

Verse 3: 

Down in a lowly manger
The humble Christ was born,
And God sent us salvation
That blessed Christmas morn.

Go, tell it on the mountain,
Over the hills and everywhere.
Go, tell it on the mountain
That Jesus Christ is born. 

Go Tell It on the Mountain: Chronological historical research table

Period / dateHistorical developmentMusical and religious characteristicsHistorical significance
17th century (1600–1700)Development of African American religious and musical traditions during slavery.African musical traditions interacted with Christian worship, biblical storytelling, and communal singing.Established part of the cultural foundation from which African American spirituals emerged.
18th century (1700–1800)Growth of African American Christian expression and communal religious gatherings.Oral transmission, repetition, call-and-response, and biblical themes.Helped establish the musical and religious environment of the spiritual tradition.
Early 19th century (1800–1860)Development of African American spirituals under slavery.Songs expressed faith, salvation, deliverance, hope, and biblical promises.The traditional roots of Go Tell It on the Mountain are generally associated with this period, although its precise composition date is unknown.
1865Emancipation in the United States.Spirituals continued to be performed and transmitted within African American communities.Created new opportunities for documenting and publicly presenting African American music.
1866Establishment of Fisk University in Nashville, Tennessee.Educational and musical development within an important African American institution.Provided an institutional foundation for preserving African American musical traditions.
1871Formation and touring of the Fisk Jubilee Singers.Spirituals performed for American and international audiences.Helped introduce African American spirituals to wider audiences and preserve their musical heritage.
Late 19th century (1870–1900)Increased collection and transcription of African American spirituals.Oral songs increasingly recorded in written musical form.Helped preserve traditional songs that had previously depended primarily on oral transmission.
1907Publication of John Wesley Work Jr.'s Folk Songs of the American Negro.Collection and documentation of African American folk music.An important milestone in the scholarly preservation of spirituals.
Early 20th century (1900–1930)Wider publication and arrangement of spirituals.Standardized lyrics, musical notation, and choral arrangements.Helped bring African American spirituals to audiences beyond their original communities.
Mid-20th century (1930–1960)Expansion of gospel and choral performances.More elaborate harmonies, instrumental arrangements, and gospel interpretations.Strengthened the song's position in the Christmas music repertoire.
Late 20th century (1960–2000)International popularization of African American spirituals.Gospel, folk, classical, and contemporary arrangements.Established Go Tell It on the Mountain as an internationally recognized Christmas spiritual.
21st century (2000–present)Continued performances in churches, schools, recordings, and Christmas concerts.Traditional spiritual arrangements alongside contemporary gospel interpretations.Preserves the song's African American religious heritage for new generations.

Comparison of the historical development of two carols:

Historical featureThe First NoelGo Tell It on the Mountain
Cultural originEnglish West CountryAfrican American
Geographical associationCornwall, EnglandUnited States
Traditional originsFifteenth-century oral tradition, according to traditional attributionNineteenth-century African American spiritual tradition
Religious environmentMedieval English ChristianityAfrican American Christianity during and after slavery
TransmissionOral carol singing and regional folk traditionsOral spiritual singing and communal worship
Musical structureNarrative folk carol with recurring refrainRepetitive spiritual structure suitable for communal singing
Biblical emphasisShepherds, angels, star, and Wise MenProclamation of the birth of Jesus
Eighteenth-century evidenceProposed Cornish broadside tradition, requiring archival verificationNo securely established eighteenth-century printed witness
Important preservation figuresDavies Gilbert and William SandysJohn Wesley Work Jr. and the Fisk Jubilee Singers
Major documentary milestoneDavies Gilbert's 1823 publicationEarly twentieth-century collection and publication of African American spirituals
1833 publicationIncluded in the wider antiquarian preservation movement associated with SandysNot applicable
Historical developmentRegional English folk carol became an international Christmas standardAfrican American spiritual became an international Christmas standard
Central messageRecounts the events surrounding Christ's birthCalls believers to proclaim Christ's birth

Apostle Quinson Thomas is a respected prophetic authority in Sacred Music and Prophetic Theology. With over 20 years of music ministry experience in sharing about the incredible Grace of God, and eight Distinctions from the Royal Schools of Music in London, he analyzes the musical structure and spiritual depth of hymns. He's also the founder of The Alive Christians School of Music which has students of all ages - including seniors and young adults. His music is available as audio or video at the Alive Christians Bookstore.

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